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Dual Interval Space in Twentieth-Century MusicYale UniversityMay 1999Bruno, Luca Theory and Analysis of Harmony in Adrian Willaert's Canzone villanesche alla napolitana (1542-1545)University of Trento, ItalyJanuary 2009Bryden, Kristy A, will paper your we write for you. Musical Conclusions: Exploring Closural Processes in Five Late Twentieth-Century Chamber WorksUniversity descriptive writing essay Wisconsin-MadisonMay 2001Buchler, Michael Relative Saturation of Subsets and Interval Cycles as a Means for Determining Set-Class SimilarityEastman School of MusicOctober 1997Buehrer, Theodore An Alternative Pedagogical Paradigm for Aural Skills: An Examination of Constructivist Learning Theory and its Potential for Implementation into Aural Skills CurriculaIndiana UniversityDecember 1998Buhler, James Informal Music Analysis: A Critique of Formalism, Semiology, and Narratology As Discourses on MusicUniversity of PennsylvaniaMay 1996Burkett, we will write your paper for you, Lyn Ellen Thornblad We will write your paper for you Involvement: Counterpoint and Compositional Tutoring programs in the Work of Seeger, Hindemith, and KrenekIndiana UniversityApril 2001Burns, Kristine The History and Development of Algorithms in Music Composition, 1957-93Ball State UniversityApril 1994Burton, Deborah, An Analysis of Puccini's Tosca: how to write a term paper heuristic approach to the unifying elements of the operaUniversity of MichiganMay 1995Butterfield, Matthew Jazz Analysis and the Production of Musical Community: A Situational PerspectiveUniversity of PennsylvaniaMay 2000Byron, Avior Schoenberg as Performer: An Aesthetics in PracticeRoyal Holloway, University of LondonJune 2007Cahn, Steven Variations in Manifold Time: Historical Consciousness in the Music and Writings of People who can write college essays SchoenbergSUNY at Stony BrookAugust 1996Cairns, Zachary Multiple-Row Serialism in Three Works by Edison DenisovUniversity of Rochester (Eastman School of Music)April 2010Campbell, Edward Boulez and Expression: A Deleuzoguattarian ApproachUniversity of EdinburghJune 2000Capuzzo, Guy Variety Within Unity: Expressive Ends and their Technical Means in the Music of Elliott Carter, 1983-1994Eastman School of Music, University of RochesterDecember 1999Carey, Norman, A Distribution Modulo 1 and Musical ScalesUniversity of RochesterFebruary 1998Carter, Chandler The Progress in "The Rake's" ReturnThe City University of New YorkJanuary 1995Castine, Peter Set Theory Objects: Abstractions for Computer-Aided Analysis and Composition of Serial and Atonal MusicTechnische Universitaet BerlinJanuary 1994Castren, Marcus RECREL: A Similarity Measure for Set-ClassesSibelius AcademyDecember 1994Cathey, Sheila C.

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